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FUNDAMENTALS OF YOUR FEM VOICE III
FUNDAMENTALS OF YOUR FEM VOICE III
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THE WOMAN I WAS NOT BORN 2 BE
[BK225]
$23.95

The Woman I Was Not Born to Be: A Transsexual Journey
by
Aleshia Brevard
Temple University Press (February, 2001)
249 Pages

Book Description
Told with humor and flair, this is the autobiography of one transsexual's wild ride from boyhood as Alfred Brevard ("Buddy") Crenshaw in rural Tennessee to voluptuous female entertainer in Hollywood. Aleshia Brevard, as she is now known, underwent transitional surgery in Los Angeles in 1962, one of the first such operations in the United States. (The famous sexual surgery pioneer Harry Benjamin himself broke the news to Brevard's parents.)

Under the stage name Lee Shaw, Brevard worked as a drag queen at Finocchio's, a San Francisco club, doing Marilyn Monroe impersonations. (Like Marilyn, she sought romance all the time and had a string of entanglements with men.) Later, she worked as a stripper in Reno and as a Playboy Bunny at the Sunset Strip hutch.

After playing opposite Don Knotts in the movie The Love God, Brevard appeared in other films and broke into TV as a regular on the Red Skelton Show. She created the role of Tex on the daytime soap opera One Life To Live. As a woman, Brevard returned to teach theater at East Tennessee State, the same university she had attended as a boy.

This memoir is a rare pre-Women's Movement account of coming to terms with gender identity. Brevard writes frankly about the degree to which she organized her life around pleasing men, and how absurd it all seems to her now.

From the Publisher
An absorbing autobiography of a transsexual.

From the Inside Flap
"...an entertaining and heartfelt journey from male to female, ostracism to acceptance, and obscurity to fame. ... Aleshia Brevard's journey is a brilliant, gutsy, and insightful look at a life simultaneously marginalized and in the spotlight."
?Lambda Book Report

"The Woman I Was not Born to Be is not the kind of book one really expects from an academic press: no statistics, no elaborate theoretical structure. Nor is it the story of people whom history has utterly ignored. Mocked, crucified, tortured, and jailed, yes; ignored, no. But I'm glad Temple University Press chose to publish it: in academia as in real life, a reasonably well-adjusted, kind-hearted woman who was born male is not so common."
?Amy Bloom, Wilson Quarterly

About the Author
Aleshia Brevard continues to be active in theater as an actress and director.

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